David

My artistic practice stems from my own difficulty with verbal expression. I primarily work with glass and clay to articulate the inarticulable—internal conflicts, unspoken affections, and complex emotions that defy description. I am drawn to the transformative nature of these materials and the kiln, a collaborator central to my process. The anxious anticipation before unloading the kiln is a ritual I cherish, one that embraces chance and metamorphosis.

 

This process allows me to explore fragility, observation, and the silent connections between humans, animals, and nature. By creating luminous objects, I seek not only to understand my own feelings but also to share this silent, radiant language of emotion with others.